Well done to all of the geezers who crossed the Atlantic in an effort to play this week's Senior Open at The Old Course.
For Immediate release:
Golf Channel analyst Brandel Chamblee will make his first professional appearance in more than ten years after successfully qualifying for The Senior Open Presented by Rolex.
The American, who made his last appearance on the PGA Tour in 2008, was one of 27 golfers who came through qualifying to book their place on the Old Course at St Andrews from July 26-29.
A record 591 qualifiers took part in the traditional Monday Qualifying at Fairmont St Andrews, Ladybank, Lundin Links and Scotscraig, with participants from all four corners of the globe descending on the county of Fife.
The 56 year old, who shared first place at Scotscraig Golf Club, said: “St Andrews means a lot to everybody in the golf world, but it holds a special place in my heart because I spent the summer of 1982 in Scotland. One of the highlights of my career was playing in The Open in 1995.
“So to bring my career in the game full circle, from the amateur game, to the PGA Tour, to the Senior Open, I couldn’t be happier to have made the field and to play amongst some of the best players to have every played the game.
“It’s a real treat for me to see a side of the game I haven’t known for 15 years.”
Joining Chamblee from Scotscraig were compatriot John Inman and English amateur Robert Maxfield – CEO of the Professional Golfers’ Association. Also earning their spots were Victor Casado, Vicente Fernandez, Darrell Kestner and amateur G.S. Lacy.
The first results of qualifying came from Ladybank as Fran Quinn finished first on three under par. He was joined automatically by Tommy Tolles and David Shacklady, who successfully earned his Staysure Tour card at Qualifying School earlier this year.
A five-way play-off was required for the final four spots, with Bob Ford, amateur Ryan Howison, Mark Ridley and former Walker Cup player Gary Wolstenholme securing their places on the first extra hole.
At Fairmont St Andrews, the closest Qualifying venue to the Old Course, Spain’s Andres Rosa was the only golfer to finish under par – one stroke ahead of David Mills and Henrik Simonsen who finished level par with rounds of 72.
An eight-man play-off decided the final four spots with Sweden’s Mats Dornell joined by fellow amateur Gene Elliott, Bill Breen and Pedro Linhart taking the spoils.
Six spots were available at Lundin Links, with Gary Koch – a colleague of Chamblee’s - and Jonathan Cheetham sharing first place on three under par. Angel Franco, amateur Michael McCoy and San Filippo qualified automatically on two under par.
A six-man play-off determined the final place on offer for this year’s Senior Open, and play was suspended on Monday evening due to darkness with three players still in the hunt. After play resumed at 8am on Tuesday morning, Australia’s Paul Archbold became the last man in after negotiating nine extra holes.
The successful qualifiers will join a host of golfing greats at St Andrews including Ryder Cup Captains Sir Nick Faldo, Colin Montgomerie, Tom Watson, Ian Woosnam, and defending Senior Open champion Bernhard Langer.
Tickets starting at £15 can be purchased at st.golf/SeniorOpen18Tickets, while under-16s and parking are free.
Results
Fairmont St Andrews
Andres Rosa David Mills Henrik Simonsen Mats Dornell (AM) Gene Elliott (AM) Bill Breen Pedro Linhart
Ladybank
Fran Quinn David Shacklady Tommy Tolles Bob Ford Gary Wolstenholme Mark Ridley Ryan Howison (AM)
Lundin Links
Gary Koch Jonathan Cheetham Mike San Filippo Michael McCoy (AM) Angel Franco Paul Archbold
Scotscraig
Brandel Chamblee John Inman Robert Maxfield (AM) Vicente Fernandez Victor Casado Darrell Kestner G.S. Lacy (AM)
The Beast From The East they are calling it, reportsBrentley Romine. But look at the contours in snow! Arrow on the image right will take you through all of the shots posted by the Links Trust.
The R&A finally got the hint after the USGA awarded future Walker Cups to Seminole and Cypress Point!
Announcing a return to the Old Course for the biennial matches was long overdue and most welcomed. It's a good time to be a 13 year old budding star!
For Immediate Release:
THE 49TH WALKER CUP TO BE PLAYED AT ST ANDREWS IN 2023
26 February 2018, St Andrews, Scotland: A historic milestone in the rich heritage of the Walker Cup will be reached at the Home of Golf in 2023 when the international match between Great Britain and Ireland and the United States is played at St Andrews.
The occasion will mark exactly 101 years since the biennial encounter was first contested at the National Golf Links of America in 1922 and will be the ninth time that the Walker Cup has been played at St Andrews; more than any other venue in its history.
The Walker Cup was last played over the world renowned Old Course in 1975 when the United States team, which included future major champions Jerry Pate, Craig Stadler and Curtis Strange, defeated GB&I 15½ -8½. GB&I won the Walker Cup matches played in 1938 and 1971 at St Andrews.
Duncan Weir, Executive Director – Golf Development at The R&A, said, “The Walker Cup is the pinnacle of men’s amateur golf in Great Britain and Ireland and the United States with many of the game’s greatest players including Bobby Jones and Sir Michael Bonallack having featured in memorable matches played over the Old Course at St Andrews.
“We are excited to be bringing the Walker Cup back to the Home of Golf for the first time in nearly 50 years and look forward to watching some of the world’s most talented amateur golfers contest the match over the famous Old Course in 2023.”
Euan Loudon, Chief Executive of St Andrews Links Trust, said, “We are delighted to see the Walker Cup return to our calendar of prestigious events at the Old Course. After a near 50-year absence we hope it will produce a memorable contest and reinforce the stature of amateur golf in Great Britain and Ireland.
“I am sure many talented golfers on both sides of the Atlantic, some of whom may just be at the beginning of their golfing journeys, will be inspired by the prospect of competing in amateur golf’s premier match at the Home of Golf.”
The match in 2023 will be the 49th playing of the Walker Cup and, of the 46 matches played to date, the United States has won 36 matches, GB&I nine matches, with one match tied.
The 2019 Walker Cup will be played on Saturday 7 and Sunday 8 September at Royal Liverpool, the venue for the first ever match between teams from Great Britain and Ireland and the United States in 1921 which would become the Walker Cup one year later.
Seminole Golf Club in Florida will host the Walker Cup for the first time in its history in May 2021 while the 50th Walker Cup will be contested at Cypress Point in California in 2025.
A depressing new report on even the slightest change in sea levels suggests most of the world's links are imperiled, with some already on the cusp of major damage in a perfect storm scenario.
From an unbylined BBC report on The Climate Coalition issuing a warning to golf, football and cricket as the sports to be hardest hit, with links courses the most endangered.
The Open is the only one of golf's majors played in the UK and is hosted on links courses, including - as well at St Andrews and Royal Troon - Royal Birkdale, Hoylake, Royal Lytham & St Annes, Muirfield, Sandwich, Turnberry, Portrush and 2018 venue Carnoustie.
It adds that "more than 450 years of golfing history" at Montrose, one of the five oldest courses in the world, is at risk of being washed away by rising seas and coastal erosion linked to climate change.
Research published by Dundee University in 2016 showed the North Sea has crept 70 metres towards Montrose within the past 30 years.
Chris Curnin, director at Montrose Golf Links, said: "As the sea rises and the coast falls away, we're left with nowhere to go. Climate change is often seen as tomorrow's problem - but it's already eating away at our course.
"In a perfect storm we could lose 5-10 metres over just a couple of days and that could happen at pretty much any point."
There will be the usual hysteria after a record falls that something must be done and while I always find that shortsighted and slightly disrespectful to the players involved--but let the hysteria begin!
Ross Fisher had an amazing shot at 59 during the Alfred Dunhill final round over the Old Course, in spite of a glacial round pace caused in part by the pro-am format. But a last hole three-putt from the Valley of Sin left him with 61 and a new record. Victor Dubuisson was on a 59 watch a few groups ahead of Fisher, but settled for 63.
“But to go out and shoot a score like that, with no bogeys, I just saw the lines and was hitting good putts and they were going in and I didn’t want it to end.
“At the home of golf, I wanted to try and give that putt on the last a try for 59 and it just came up a bit shy and then unfortunately I didn’t hit a great (birdie) putt, so unfortunately had to settle for a 61 – but I would definitely have taken it.”
A post shared by European Tour (@europeantour) on Oct 8, 2017 at 10:40am PDT
Why should we be hysterical when the distance situation at classic courses has been an issue for nearly two decades ago, with huge leaps since the governing bodies drew a line in the sand (2003)?
Because course records get attention, especially when it's the Home of Golf and especially on a course not using some of the absurd Open Championship tees employed by the R&A to mask distance leaps.
While most of us know modern course conditioning combines with today's instruction technology and brain power, should lead to records falling. And that's just fine. But couple that with players rarely hitting a long iron due to courses being overwhelmed, and these accomplishments should be warning signs that the importance of certain skills has been diminished to the point that such a record may need an asterisk.
“Carnoustie course record holder – it sounds good doesn’t it? It was a good day’s work by any standards,” Fleetwood said. “When you consider all the great players who have played here, in Opens and in this tournament, it is very special to have the lowest score ever recorded on this course. Yeah, I hit it in some places where you probably won’t be able to get able to hitting it when the Open comes back here next year, but I’m still very proud.”
I'm not sure why I found this roofer quote so funny given that he's been tasked to eliminate the £1,500 each week spent by the Old Course Hotel to replace damaged slates, but I will certainly cite this as my reason for hitting the hotel roof twice in 2015.
Euroshield owner Henry Kamphuis said: “I was stunned when we got the call because it was St Andrews. I was up on the hotel and the gutters are just full of golf balls. It’s very easy to hit the hotel. It’s right in the middle of the fairway.”
We saw it at Troon and Turnberry and the world continued to revolve on its axis. So it is with great delight that Adam Lawrencereports on aNew Course at St. Andrews effort to remove the gorse that so annoyed Old Tom Morris, and restore it to the sandy/grassy aesthetic of old.
This news is fun on multiple levels: this makes for a better looking course, better playing and better functioning. And what happens in St. Andrews has the potential to influence countless other links that have been compromised by gorse and the loss of dunes.
Lawrence quotes Graeme Taylor, course manager for the New and Jubilee.
Taylor told GCA that the reason for converting the gorse areas back to exposed sand was primarily ecological. “Bob Taylor, our ecologist from the Sports Turf Research Institute, actaully first suggested the exposed sand areas back in 2005,” he explained. “Bob explained that exposed sand was a habitat common to linksland and was ecologically important. We tried a few areas then, but nothing like the scale of what we are now doing. Bob visited us again after last year’s Open, and again suggested that creating open sand areas would be very beneficial ecologically, restore natural habitats, and be an interesting feature to otherwise scruffy areas.”
The news of an architect's involvement at St. Andrews is also intriguing given Ebert's fine work at Turnberry, Troon and presumably based on the track record of he and partner Tom Mackenzie, Portrush.
Could this be leading to a consulting role for The Old Course? Given the many disappointing tweaks in recent times and the overabundance of gorse that would have Old Tom fuming, let's hope so.
I resisted picking up Tommy's Honor in my usual fear of fictionalized versions of real stories and a cover that suggested it was going to be a downer. But for me it has become the best pre-Scottish golf pilgrimmage reading and one which I now crack open before heading to Scotland. (Note to self: don't judge a book by its cover.)
Any concerns about the Tommy's Honor storytelling related to golf's founding father and his decorated son are promptly eliminated when Kevin Cook takes us back to Old Tom's days in Prestwick. He captures a genuine sense of what these brave, slightly-nutty characters did to transform the idea of whapping a ball around on fescue turf and into the sport we have today. The former Golf Magazine editor does it with a perfect mix of historical accuracy, soulful storytelling and cinematic flair.
Given the book's early focus on the first Open Championship at Prestwick and an Edinburgh Film Festival screening of the film version receiving encouraging reviews (here, here, here), the author kindly answered questions about his work.
No distributor has been finalized for the film with a screenplay by Cook and wife Pamela Marin. But since the film has just hit the festival circuit (clip's below Q&A), and we should be able to see it later this year or in early 2017.
GS: What compelled you to tackle the seemingly impossible task of re-creating the life and times of Old Tom, Young Tom and the founding of golf?
KC: My wife, Pamela Marin, took me to Scotland for my first pilgrimage in 1986. I showed up at the Old Course at dawn and was lucky enough to play with three locals, Peter, Peter and John. They blessed me gravely when I descended into the Hell Bunker and laughed when I hit a grounder and called it a worm-burner. To them that’s a “scalded cat.”
They also talked about Tommy Morris. I knew about Old Tom, but the more I learned about his son the more I was drawn to this untold family drama with a tragic love story at its heart—all revolving around the dawn of professional golf.
GS: How many years was the book in the works research-wise and what kind of interesting things happened along the way in digging through archives for this?
KC: First came 20 years of filing away bits and pieces of the story. Then I got fired as editor of Golf Magazine. Seemed like a good time to write that book! In 2005 I rented a room in St Andrews and spent a couple weeks haunting the university library. That was the first of several trips, with side trips to the Mitchell Library in Glasgow, other archives in Scotland and the library at Royal Liverpool, where Tommy won the first big pro tournament outside Scotland in 1872. I hit a few worm-burners there before the 2006 Open Championship.
Along the way I made friends. One I’ll never forget was the late David Malcolm, a St Andrean who was one of the smartest and warmest people I ever met. (His Tom Morris of St Andrews: Colossus of Golf, co-written with Peter Crabtree, is a more scholarly approach to Tom’s life.) We compared notes and shared research. Our families became close, and we even house-swapped. David and his wife, Ruth, a gifted artist, got our pad in New York while Pamela and our kids and I stayed in their home in St Andrews.
GS: Old Tom’s Prestwick years have always seemed to be a bit of a mystery, yet you get right into them early on in Tommy’s Honor. What went into the Prestwick research and does Old Tom Morris get enough credit for his role in helping create The Open?
KC: Ian Bunch, then the club secretary at Prestwick, welcomed me to the upstairs archive where I pored through records of Tom’s 14 years there, including the invitations (on robin’s-egg blue paper) summoning crack golfers to the first Open Championship in 1860. Tom organized the whole thing, working with his patron James Ogilvie Fairlie and the wealthy, sporty Earl of Eglinton. Tom hit the first tee ball—just as the wind blew his necktie up over his face, blocking his view—and came in second to his rival Willie Park.
Kevin Cook and Pamela Marin, photo by Ken KubikGS: As a writer and historian, did you struggle at all with taking what you researched and how you made it into a narrative, even if you were perhaps fictionalizing at times? (As a reader you never come across as either uncertain in your take, nor overly presumptuous about the circumstances they faced).
KC: One surprise was how much specific information there was to tap into. During a time of what was called “Golfomania,” newspapers in Scotland and England tried to outdo each other in covering the game. I wore out a microfiche machine or two reading shot-by-shot accounts of famous matches. It was like discovering box scores from the very first baseball games.
Tom lived until 1908. As an eager publicist for his sport and his town (and his clubmaking business) he gave loads of interviews and loved to reminisce about Tommy. Many of their contemporaries wrote memoirs and gave interview of their own. David Malcolm’s research turned up fascinating details about Margaret, Tommy’s wife, which he generously shared with me. One of the great pleasures of writing the book was connecting the dots between countless details and putting them in context.
Yes, it had to hold together as a narrative. I was lucky to have a story that’s inherently dramatic, literally life and death. But there are times when you make storytelling choices, which boil down to educated guesses. For instance, I’ve got Tommy needling Tom about his lousy putting: “You’d be a fine putter, Da, if the hole were always a yard closer.” Now, I certainly don’t claim to know that Tommy said that on the hole where I’ve got him saying it, but he did tease his father, and Tom remembered that line decades later.
GS: How did getting the book to the big screen come about?
KC: A movie producer named Jim Kreutzer picked up my book on a golf trip to St Andrews and called to ask me about it. This was in 2012. Good timing. My wife, Pamela, a journalist and author of a well-received memoir, was remaking herself as a screenwriter. It’s an utterly different kind of writing—and thinking—and she’d written a script that got attention in Hollywood. That one didn’t get made, but it proved her ability. When the time came to make a deal for Tommy’s Honor, I optioned the book with one proviso: We write the script.
GS: The film looks visually stunning, but naturally, all golfers want to know is: did they make the golf scenes realistic?
KC: Jim Farmer, the R&A’s honorary professional and a former British Club Pro champ, did a terrific job as the actors’ golf coach. He got a surprise at first. During the casting process Jack Lowden, who plays Tommy, said, “Oh yes, I’ve been a golfer for years.” Because that’s what you do as an actor—if they ask if you can ride a horse or breakdance, you say yes. Later he told Jim he’d never swung a club in his life. But Jack’s an athlete as well as a brilliant young actor, and with Jim’s help he built a swing that’s authentic to the period. One thing I loved about Jim Farmer’s work was that the swings are authentic but different. Willie Park’s swing isn’t like Tommy’s.
There’s a crowd reaction that’s totally real. The great Peter Mullan, who plays Tom, had to make a ten-foot putt on a bumpy 19th-century green. He must have missed fifteen times. Each time, director Jason Connery reset the shot and the gallery got pumped up again. At last Peter knocks it in and the crowd goes genuinely wild.
The CGI people did a remarkable job recreating the blizzard of 1875 for one key sequence. And the biggest laugh in the movie comes during a favorite scene of mine, a caddies’ tournament that’s straight from the archives.
GS: How did the trimming process go for making the book into a film?
KC: As the screenwriters Pamela and I did our own whittling, sitting side by side at the computer in early 2013. If I showed you our first draft you’d see that its structure, tone and dialogue account for about 80 percent of what wound up onscreen. Jason Connery was a joy to work with and had a bunch of good ideas that we incorporated. Jason grew up playing golf with his famous father; he’s got this story in his bones.
GS: Is there anything since the book was published that you have learned that might have changed your approach to the “characters”?
KC: I think we got it right. Tom Morris was modern pro golf’s founding father. Tommy invented a new role—he was the first touring professional. Tour pros should tip their hats to Tommy every time they tee off on Sunday.
And I think or at least hope that my work, and the script of which Pamela was the lead writer, will remind readers and moviegoers that the game’s pioneers weren’t stained-glass icons out of ancient history. They were brave, tough, star-crossed strivers living in a fascinating time.
GS: What does it mean to you that your book is now often cited as required reading before golfers make the pilgrimage to Scotland for the first time?
KC: That’s the best compliment I ever got. Tommy’s Honor began with my first pilgrimage to St Andrews. If the book and movie contribute to others’ experiences, I’ll have done my bit to honor Scotland and its people.
The Independent's Geoffrey McNab reviews Tommy's Honour following the film's debut at the Edinburgh Film Festival. Based on Kevin Cook's terrifc book, it is directed by Jason Connery.
There are a lot of whiskers and sideburns and plenty of thick tweed on display in Jason Connery’s Tommy’s Honour, which opened the Edinburgh Film Festival on Wednesday night. This is a golfing movie but not one in the vein of Happy Gilmore or Tin Cup. It is a sturdy, handsomely made Scottish costume drama, set in St Andrews, Fife, in the late 1860s and early 1870s. The film tells the story of Tom Morris Sr and Tom (“Tommy”) Morris Jr, a father and son who transformed golf and won multiple British Opens.
“Are you daft? You need a mashie,” one character is told in the middle of a game. That’s a reference to a club called the niblick, not to a way of cooking potatoes.
Connery evokes an era in which players strutted the Old Course at St Andrews in heavy jackets and caps, hats and bonnets, using wooden shafted clubs to hit hand-made golf balls off very rough looking fairways onto bumpy greens.
Geoff Shackelford is a Senior Writer for Golfweek magazine, a weekly contributor to Golf Channel's Morning Drive, is co-host of The Ringer's ShackHouse is the author of eleven books.
